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Tag Archives: Stanley Fefferman
Sharon Goodier*** Reviews HOME WAS ELSEWHERE: poems by Stanley Fefferman (Quattro Book, 2017). 85 pages. $18.00
After reading Home Was Elsewhere, Stanley Fefferman’s debut book of poetry, the only question is why did he wait so long to invite us into his garden. The poems act as stepping stones leading us into and out of the … Continue reading
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Tagged Bain Avenue Coop, Boulder, Caledon, Canadian Poetry, Chogyam Trungpa, Colorado, Dharma Poetics, Harris Hawk, Home Was Elsewhere, Jack Kerouac School of Disembodied Poetics, Naropa University, Ontario, Poetry, Quattro Books, Retreat, Sharon Goodier, Stanley Fefferman, Vajrayogini
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Laurence Hutchman TWO MAPS OF EMERY: reviewed by Stanley Fefferman
Friday, March 3, 2017. Laurence Hutchman. Two Maps of Emery. Black Moss Press. 96 pages. 2016. I This is a boots-on-the-ground review. I caught a moment with three people hearing Laurence Hutchman read a poem from his book at the … Continue reading
Posted in Reviews
Tagged Black Moss Press, Laurence Hutchman, Poetry, Stanley Fefferman
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Art of Time’s “Gabriel Prokofiev: from Chamber to Electronica” reviewed by Stanley Fefferman
February 22,2013. Enwave Theatre, Toronto. There was a time when classical music was popular. For 10 years, I have been listening to Art of Time musical director Andrew Burashko showing the way back to that time. Last night he did … Continue reading
Roby Lakatos Kills it Softly at Koerner Hall: a review by Stanley Fefferman
January 26, 2013. Koerner Hall, Toronto. Roby Lakatos, a 7th generation Hungarian fiddler and current King of Gypsy Violinists, played Koerner Hall last night with his ensemble and thrilled the audience. Lakatos’ sound is loud and electric like the excitement … Continue reading
Posted in Reviews
Tagged Jeno Istvan Lisztes, Koerner Hall, OpusOneReview, Roby Lakatos, Stanley Fefferman
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Kaori Yamagami’s Music Toronto Cello Recital reviewed by Stanley Fefferman
January 17, 2013. Jane Mallett Theatre, Toronto. The legendary cellist Pablo Casals chose to remember and share only his positive impressions of other people’s cello performances. Following his example, I can say my first impression of Kaori Yamagami’s solo cello … Continue reading
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Tagged Bach’s Suite No.1, BMV 1007, Giovanni Sollima Alone (1999), Hindemith’s Sonata for Solo Cello, in G for unaccompanied cello, Kaori Yamagami, Music Toronto, No. 3 (1922), Op.131c (1915), Opus 25, Reger Suite No.1, Stanley Fefferman, Suite for Solo Cello (1926) by Gaspar Cassado
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New Music Concerts Hosts Génération 2012 Canadian Tour reviewed by Stanley Fefferman
November 11, 2012. The Music Gallery, Toronto. Each year since 2000, ECM+(Ensemble Contemporain De Montréal) and its artistic director Véronique Lacroix have invited young Canadian composers to a juried competition of the Génération Project. The four winners spend months in … Continue reading
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Tagged Animaris Currens Ventosa, Annesley Black, Beatitude for solo violin and ensemble, ECM+, Ensemble Contemporain De Montréal, Gabriel Dharmoo, Génération Project, Jenny's last rock for 5 tape recorders and ensemble, Marielle Groven, New Music Concerts, Ninaivanjali, OpusOneReview, Riho Esko Maimets, Stanley Fefferman, Véronique Lacroix
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