Is He Really Going Out With Us? Joe Jackson comes to TD Toronto Jazz Fest

joejackson_photo_gal_37255_photo_582923485_lrBritish singer­-songwriter Joe Jackson has a career spanning 45 years, with most of us meeting him on his 1979 hit song, Is She Really Going Out With Him? or 1982’s Stepping Out. Over the years Jackson has explored pop, jazz and classical musical styles.

Currently touring his new album of original music, Fast Forward, Joe Jackson graces the
Nathan Philips Square stage at the TD Toronto Jazz Festival on Sunday, July 2nd.

 

The album was recorded in four different cities ­ Amsterdam, Berlin, New Orleans and New
York ­ featuring different musicians in each city including Bill Frisell (guitar) and Stanton
Moore (drums).

Joe Jackson’s unmistakable vocals should prove nostalgic for many of us, and perhaps
we’ll find a new favourite to associate with him the next time we hear his name.

For more details on the July 2nd show:

http://jazz.to/concert/joe­jackson

Watch this space for more TD Toronto Jazz Festival reviews!

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Canada Day Lovefest with Michael Franti & Spearhead

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Michael Franti © eric fefferman

When city councillor Kristyn Wong­-Tam enthusiastically introduced Michael Franti, the
crowd burst up, cheering and applauding ­ before he’d even hit the stairs to the stage! No
encouragement needed for this audience to be on their feet and ready to dance. The
difference between Michael Franti and any other performer is that his audience enters the venue already at his mercy. Before he utters a word or strums a note, all in attendance
are on board and ready for the ride. Michael Franti tells the audience, “Jump!” and they
jump. He says, “Wave your hands!” and every hand in the place goes up. He says,
“Clap!” and, you guessed it, they clap. And they love every minute of it!

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Nathan Phillips Square © eric fefferman

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Michael Franti © eric fefferman

For the second tune, Sound of Sunshine, over a dozen huge yellow balloons are
launched from the stage and into the crowd. If you weren’t already smiling, this was the
moment the joy overtook you. This was also the point in the evening when Michael Franti
invited the first of many children to join him on stage throughout the night. It has the
potential to get a bit hokey, but when you witness the delight of the young ones you begin
to hear Franti’s message of peace and acceptance and love, and to see it manifest right
before your eyes.
Next Franti exits the stage to skip through the tent and out to the folks outside the tent,
singing and dancing with everyone in his path before climbing onto a small stage right in
front of the soundboard. From this point on at least half of the show will take place here,
with fans being invited up to dance with the man who came to unite us all with his music.
Cherine Anderson, Kingston, Jamaica singer/songwriter and actress, was in town for her
niece’s graduation, and to our delight, Michael Franti surprised her and the audience by
inviting her onstage to sing and rap with him. She added a special dimension to an
already spectacular show.

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Michael Franti and Cherine Anderson © eric fefferman

The positivity of Michael Franti cannot be understated. He sings, “One day, one day, all
will say, that it’s good to be alive today.” He sings of love and asks us to hug someone
near us and instructs us to not leave anyone out. He asks us to dance with anyone
nearby. For those that normally like to be on the sidelines, in this space it feels odd not to
participate. Franti inspires us to lose our fears and to be our authentic selves. He treats
music as a sacrament and we take it without reservation.

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Michael Franti © eric fefferman

While he may not fit comfortably into the jazz genre, Michael Franti was a perfect choice
or the weekend of the biggest Pride celebrations in the city. He preaches equality, a
strong anti­hate, anti­gun message, and about the freedom to be yourself and find your
own path to peace. And since he married a Canadian, I’ll forgive the Festival for giving an
American top billing on Canada Day.

– Stasia Muranchak

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A Trip Around the World of Jazz by Two Canadian Stars / Molly Johnson and Jane Bunnett

Molly Johnson

The night started off with the incomparable Molly Johnson on the stage. When the
average person thinks of jazz, Molly’s brand of simple grooving vocals and
instrumentation is what comes to mind. Johnson’s haunting smoky voice is from another
world and the lyrics come alive on her tongue and effortlessly flow over her audience. She
mesmerizes us with smoky butterscotch tones on Billie Holiday’s Don’t Explain, sweet yet
a little dark and sad. In yellow chiffon with flowers in her hair, she channeled Billie
Holiday, but she is definitely her own woman on stage and not afraid to let us know it.

A proud Canadian and Torontonian, Molly Johnson entertains us with her slightly caustic
banter between songs. “I’m a Canadian we don’t have staff. I’m a jazz musician, I pick up
my own dog shit!” She’s like the funny friend at the dinner party, not quite stand­up
comedy, but she keeps you on your toes. Her place is definitely on the stage, but a part of
you wishes you were hanging out together in an old jazz club. All that’s missing are stale
pretzels, a dirty martini and a smoky haze.

Rich Brown and Molly JohnsonHonorable mention goes to Colleen Allen who joined Molly on stage on horns and back-
up vocals. She shines on stage adding another dimension to an already outstanding
performance.

Next, Molly’s grade school chum, Jane Bunnett took the stage with her husband, trumpet
player Larry Cramer and longtime collaborator Hilario Duran on piano, alongside some
fantastic musicians from Bunnett’s all­ female sextet, Maqueque. Bunnett is celebrating
the 25th anniversary of her ground­breaking album Spirits of Havana which showcased
Cuba’s dynamic contributions to world music.

As easy as it is to listen to Molly Johnson’s crooning, Bunnett requires us to step outside
what we know of jazz and of latin beats and really listen to what is happening on stage.
There is a chaos in the unrelenting afro­cuban percussion mixed with the improvisational
jazz riffs of the soprano sax, flute and piano, often reminiscent of Thelonius Monk’s style.
It takes effort to listen and to process, but the rewards are immense when you can find Jane Bunnett & Band

Jane Bunnett your own groove in the music.

Sadly, aside from a few souls in the wings that couldn’t help but dance, the audience last
night was pretty staid and seemingly unmoved by the driving beats. They enjoyed the
show in their own way, but I can’t help but think that if everyone had gotten on their feet
and really felt the rhythms, the energy under that tent would have exploded.
We enjoyed a lot of Toronto talent on the stage last night and on this day when we
celebrate our country, we have many more reasons to feel pride in being Canadian.

-Stasia Marunchak

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Molly Johnson / Jane Bunnett / TD Toronto Jazz Festival / 2016-06-30 / PHOTOS © Eric Fefferman

Molly Johnson © eric fefferman

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Andrew Craig (piano) and Molly Johnson © eric fefferman

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Colleen Allen © eric fefferm

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Jaymz Bee © eric fefferman

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Nathan Phillips Square © eric fefferman

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Jane Bunnett © eric fefferman

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Larry Cramer © eric fefferman

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Hilario Durhan © eric fefferman

Molly Johnson / Jane Bunnett , TD Toronto Jazz Festival, Main Stage, Nathan Phillips Square, Toronto ON, 2016-06-30

Jane Bunnett © eric fefferman

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Look no further for your Canada Day evening plans! Franti is in town!

If you know who Michael Franti is then you’re already planning on being at Nathan
Philllips Square on Friday night. If you don’t know him, here’s what you should ask
yourself:

1­ Do I likm-frantie to smile?

2­ Do I like to dance?

3­ Do I like to be happy?

 

4­ Do I like being with other people who like to be happy dancing smiling fools?

If they don’t already, tickets to a Michael Franti show should come with a FUN guarantee!
Should you need more concrete information on what this man is about, look here:
http://jazz.to/concert/michael­franti

See you at the show! I’ll be the one dancing and smiling with joy!

Watch this space for more previews, reviews and photos of the TD Toronto Jazz Festival!

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Double your pleasure with two Canadian jazz greats!

Canadians have enjoyed a lovely relationship with Cuba for decades. It was our private island getaway, where we mingled with East Germans and Soviets drinking our Cuba Libres and listening to local musicians playing rhumbas and salsas for our dancing pleasure. After 1991 musicians from Cuba experienced a bit more freedom, and in 1993 Jane Bunnett, Canadian flutist* and soprano sax player, released Spirits of Havana, an album combining Canadian and Cuban musicians. In celebration of the 25th anniversary of Spirits of Havana, Jane Bunnett will be performing with some of the original musicians from the album at Nathan Phillips Square on Thursday June 30th for TD Toronto Jazz Fest. If you are new to Afro-Cuban jazz, get ready for the awakening of each and every part of your body. It’s impossible not to feel those rhythms pulsing through you!
And sharing the double bill (at $35/reserved seat – this show is a steal!!!), is the Canadian Jazz songstress, Molly Johnson. Molly Johnson’s interpretations of jazz standards captivates us with her smoky impassioned vocals. Her latest release celebrates the music of Billie Holiday, one of Molly’s inspirations. Among many other recognitions, Ms. Johnson is an Officer of the Order of Canada for her international contributions to the arts and philanthropy and a Juno award winner. She is a Canadian icon that is not to be missed!
With two Canadian jazz greats sharing the bill, one can only hope that there will be some sharing of the stage guaranteed to take our collective breath away!
Click here for more details about the show:
Watch this space for more previews, reviews and photos of the TD Toronto Jazz Festival!
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Grace Potter turns on the light (and everything else!)

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Grace Potter © eric fefferman

Grace Potter performed at TD Toronto Jazz Festival tonight at Nathan Phillips Square and you should definitely regret not having made it to the show. The crowd was lighter than I’ve seen for many headliners. Lots of space at the sides inside and if you were on the other side of the fence you would have had a great view of a hot show!

It pains me to describe a woman first by a physical attribute, but Grace Potter is smokin’ hot on stage! She exudes sexuality from her glittery dress to the boots she kicked off half-way through her set to her wide open flirting with one and all. Her alluring stage presence is fully backed up by the music. This woman is an entertainer on stage and the music is truly the heart of it all.

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Grace Potter © eric fefferman

Grace Potter’s style is a little bit country, a little bit rock and roll, and all heart and soul. The beauty of a festival is that you always have a mixed audience of fans and music explorers ready for a taste of something new. After the first few notes, Grace invited everyone to get on their feet, and the audience mostly obliged, but by the end of the night the tent was full of new fans dancing their devotion to the powerhouse on the stage.

As any newly solo artist knows, the fans want to hear some favourites, and when Grace let us know it was time to remove some clothing (her boots) and invited the crowd to cuddle up to the stage she launched into Medicine (“She got the medicine that everybody needs”) and won over the whole audience. From that point on we were at her mercy.

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Grace Potter © Stasia Marunchak

Grace Potter plays the audience with the same expert hands that she plays her Wurlitzer and her signature Gibson Flying V. From wooing us with some Neil Young and telling us “I always wished I was Canadian, never more than right now!” to throwing in tastes of Prince, Black Sabbath and
Bill Withers (Lean on Me), she knew how to reel us in. And we happily let her.

By show’s end, no one needed encouragement to be on their feet. Grace Potter had wooed us, wowed us and then broke our hearts a little as she exited the stage.

-Stasia Marunchak

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Will Grace Potter show us the light as she steps out without the Nocturnals?

Will Grace Potter show us the light as she steps out without the Nocturnals?
If her Bonnaroo performance this year is any indication, we are in for a glitzier, pop and rock driven show compared to her more rootsy past. After a decade with the Nocturnals, Grace Potter is breaking out on her own and exploring new musical landscapes. The big question is whether her fans will make the transition with her. She may have stepped away from her hippie queen persona, but she brought her voice and energy with her so it looks like those that can handle a bit of change are in for a treat on Monday night!
Grace Potter released Midnight, her first album without the Ngp_midnight_cover-770x770octurnals, last August. You can catch her show at the Toronto Star Stage at Nathan Phillips Square on Monday, June 27th at the TD Toronto Jazz Festival.
-Stasia Marunchak
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