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Author Archives: Stanley Fefferman
Brentano String Quartet Dazzles with Debussy: a review by Stanley Fefferman
July 17, 2013. Walter Hall, Toronto. Toronto streets last night were hot enough to bake a baguette, but the second concert of the Toronto Summer Music Festival was a very cool scene. The Brentano Quartet, currently hyped as celebrities for … Continue reading
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Joy and serenity flow from Mark Morris’ L’Allegro, il Penseroso ed il Moderato in Toronto’s Sony Centre
June 21, 2013. Sony Centre for the Arts, Toronto. As Handel made music of John Milton’s poems L’Allegro and il Penseroso , Mark Morris made Handel’s music dance. The 32 scenes of Morris’ ballet breathe with inspiration of figures and designs from … Continue reading
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The warm embrace of Mavis Staples, the cool vibe of Dr. John @ TD Toronto Jazz Festival by Stasia Marunchak & Eric Fefferman
June 22, 2013. TD Toronto Jazz Festival Mainstage, Nathan Philips Square, Toronto. Day 2 of the TD Toronto Jazz Festival brought heat and humidity that reminded us summer has arrived. It was sticky heat that keeps us indoors with … Continue reading
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Tagged Dr. John, Eric Fefferman Photography, Mavis Staples, Toronto Jazz Festival 2013
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June 20, 2013. MacMillan Theatre, Toronto. The chamber-opera Feng Yi Ting is a high-grade hybrid. The composer/librettist is Chinese, the director is Armenian-Canadian, and both are outstanding in their fields. Guo Wenjing belongs to the elite 200 students admitted to Beijing’s Central … Continue reading
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Steve Cohen’s Magic is !Omigawd! by Stanley Fefferman
June 17, 2013. George Brown House, Toronto. The art of the magician is to create wonder. Doug Henning Steve Cohen tricks you into feeling wonder-full. When he guesses that your last vacation was scuba diving in the Marquesas, or asks … Continue reading
Luminato’s Concerto for Piano and Pasteboards reviewed by Stanley Fefferman
June 16, 2013. Mazzoleni Hall, Toronto. We enjoyed being fooled. We pay good money to people who can trick us. We long for the impossible, and what Miguel Puga does is impossible, but there it is. To help us … Continue reading
Luminato’s brilliantly inventive “Life and Death of Marina Abramovic” reviewed by Stanley Fefferman
June 14, 2012. Bluma Appel Theatre, Toronto. The opening tableau has three pissing-real Dobermans prowling the stage dressed with three fake-dead Marinas propped on coffins. The closing tableau has real Marina Abramovic and cast led by monumental Anthony Hegarty singing … Continue reading
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